Sam Smith returned to his own throne, on the throne reserved only for the owner of love songs, with an album that could not be more 'Sam Smith' at the end of last October.
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Love Goes is like a farewell, but more like a nice farewell, it doesn't have too many sad songs. This album gives the feeling of 'let's dance and get rid of everything' more precisely. Still a thoughtful and thoughtful Sam Smith, who hears singing as if he is just waiting to sob, yet somewhere there is an optimism, joy filtered from sadness. Sam Smith called his new album a 'musical experiment'. And although not many people will agree with this point of view, the songs on Love Goes's tracklist deserve attention.
As the title itself suggests, Dance (‘Til You Love Someone Else) is clearly a piece inspired by Robyn's Dancing On My Own. And why not, why not fall in love with a great electronic song that revived the disco genre in nightclubs? A masterpiece between the addictive rhythm part and the lyrics couldn't be more desperate. In the hands of Sam Smith, ('Til You Love Someone Else') is a 'value for money' combination between memories from a vintage and modern era, intersecting with heavy beats. The same vocals cannot be confused with anyone else. Just listening to it for the first time, the audience can certainly imagine this will be the song that takes up all the time in every bar, pub or dance hall.
With his emotions, Sam Smith travels on each music frame with his companions who could not be more impressed. Max Martin, Shellback, Amy Allen and Ryan Tedder. So Serious is one of the sexiest songs on the album, with a little melody that reminds me of the reggae pop hit It Wasn't Me. Still sobbing, deep, but high voice, Sam Smith blew his soul into the song now like a stream of tears, both pain and hope. 'Put your hands in the air if you sometimes ever get sad like me'. Spreading your heart with very close and casual lyrics, the song also creates a very catchy charm with the mesmerizing sound of the cathedral than in a pop song of the 21st century.
And then, Sam Smith returned to his own throne, on the chair reserved for the king of love songs. Love Goes, the title track of the album next to Diamonds appears and is a great highlight for this project. Led simply, not fussy with just one keyboard instrument, Love Goes is a loop of a chord, a loop of a story that begins - ends - and finds the beginning again. This is also the catwalk for Sam Smith to show off his gifted vocal skills and the harmonious combination with his colleague Labrinth. And like goodbye for a fleeting love, layers of sound suddenly appeared, filled with clarity, excitement, but somehow accidentally.
Love Goes is the voice of a soul that has given so much love, something that this cold world does not hesitate to respond to. The album is like a remnant of love, loss, suffering, lingering memories, scars that do not heal, of relationships that cannot wait until the day to reward fragrant fruit; But it is shown extremely new, powerful and a little extravagant. 'I don't understand why I became so serious,' said Sam Smith. Sam Smith actually wanted to name his album To Die For, a name better suited to its confession. But perhaps that should not be, especially during the extremely sensitive period of this epidemic. It took a lot of time and effort, Love Goes was born and marked more than just a milestone in the music career of the British male singer. The album contains confidences, thoughts, is a mirror reflecting an unstable period of an artist in an unpredictable time in his life.
